The Dark Side of the Far Side

Below is an email I received today.

VIA: email
June 9, 2011

Dear Mr. Balistreri,

Creators Syndicate, an international newspaper syndicate, handles all reprint permissions requests for use of Gary Larson’s The Far Side® cartoons following guidelines long established by Mr. Larson and his company FarWorks, Inc. (copyright owner to all Far Side images). In short, we approve or disapprove requests to reproduce Mr. Larson’s cartoons, and carefully monitor the ways in which they appear.

We are writing on behalf of FarWorks, Inc. and Gary Larson about the sixty five The Far Side cartoons that appear on your website, http://www.blacksnowcomic.com/blog1/. The cartoons we are referencing can be found here:

http://www.blacksnowcomic.com/blog1/tag/the-far-side/

FarWorks has a serious problem with unauthorized uses of The Far Side worldwide. As a result, it does not allow online publication of works from The Far Side. No matter how insignificant a few uses may seem, it still amounts to making versions of the cartoons available in digital form for anyone to download, which makes it virtually impossible for Mr. Larson to control future uses, something that is very important to him.

Mr. Larson has tried to express his feelings about the digitization and reproduction of his cartoons online and why he asks that people not post his work on the Internet in an “open letter” he wrote some time ago. This letter is posted on our website (http://www.creators.com/a-note-from-gary-larson.html) and I have also included a copy of it here.

We ask that you please read the letter from Mr. Larson below, and respect his wishes by removing the cartoon from your website. Many thanks in advance for your cooperation.

Sincerely,

Anica Wong
Permissions Department
Creators Syndicate
5777 W. Century Boulevard, Suite 700
Los Angeles, CA 90045
(310) 337-7003
awong@creators.com

——————————————————————-
A Note From Gary Larson

RE: Online Use of The Far Side® Cartoons

TO WHOM IT MAY CONCERN:

I’m walking a fine line here.

On the one hand, I confess to finding it quite flattering that some of my fans have created web sites displaying and / or distributing my work on the Internet. And, on the other, I’m struggling to find the words that convincingly but sensitively persuade these Far Side enthusiasts to “cease and desist” before they have to read these words from some lawyer.

What impact this unauthorized use has had (and is having) in tangible terms is, naturally, of great concern to my publishers and therefore to me — but it’s not the focus of this letter. My effort here is to try and speak to the intangible impact, the emotional cost to me, personally, of seeing my work collected, digitized, and offered up in cyberspace beyond my control.

Years ago I was having lunch one day with the cartoonist Richard Guindon, and the subject came up how neither one of us ever solicited or accepted ideas from others. But, until Richard summed it up quite neatly, I never really understood my own aversions to doing this: “It’s like having someone else write in your diary,” he said. And how true that statement rang with me. In effect, we drew cartoons that we hoped would be entertaining or, at the very least, not boring; but regardless, they would always come from an intensely personal, and therefore original perspective.

To attempt to be “funny” is a very scary, risk-laden proposition. (Ask any stand-up comic who has ever “bombed “on stage.) But if there was ever an axiom to follow in this business, it would be this: be honest to yourself and — most important — respect your audience.

So, in a nutshell (probably an unfortunate choice of words for me), I only ask that this respect be returned, and the way for anyone to do that is to please, please refrain from putting The Far Side out on the Internet. These cartoons are my “children,” of sorts, and like a parent, I’m concerned about where they go at night without telling me. And, seeing them at someone’s web site is like getting the call at 2:00 a.m. that goes, “Uh, Dad, you’re not going to like this much, but guess where I am.”

I hope my explanation helps you to understand the importance this has for me, personally, and why I’m making this request.

Please send my “kids” home. I’ll be eternally grateful.

Most respectfully,

Gary Larson

Out of respect for Mr. Larson I have since removed the images, which are all readily available online and were not scanned or created in anyway by me. Honestly, I’m pretty disappointed by this though. This man who created this insanely wacky world of fun and comics has people trolling the net looking for unauthorized use of his images. Because he hasn’t made enough money off marketing it during its span and the decade plus since it ended and this might heart future revenue.

I’m pretty sure they have no legal ground, as I was not making any profit, but as I said I acquiesced out of respect for one of my favorite cartoonists and comic strips.

Pretty ridiculous though, and somewhat depressing. This was one of the two major comic strips I grew up loving and what inspired me to attempt become an artist myself. A little bit of magic died in my world today, and believe me, there ain’t much magic left in this cynic’s heart.

The Far Side

I grew up reading comic strips, rather than comic books, and two in particular were my favorites The Far Side and Calvin and Hobbes. I still go back and reread my collections of both, and they serve as inspiration for my own comics. I’ll save Calvin and Hobbes for another time and discuss The Far Side today.

(Sorry, I was asked by Mr. Larson’s representative’s to remove these images.)

Those should give you a pretty good idea of the hilarious genius that was Gary Larson’s The Far Side. In my humble opinion, and many others, The Far Side was the epitome of a comic strip. You can see evidence of this by all the high profile, gushing forwards at the beginnings his compilation books. You can see it by the sheer amount of imitators and wannabes that have come since. You can also see this in the fact that Far Side merchandise still sells like crazy even though it ended over 15 years ago.

For those not familiar with the Far Side, well here’s what the great authority Wikipedia:

The Far Side is a popular single-panel comic created by Gary Larson and syndicated by Universal Press Syndicate, which ran from January 1, 1980, to January 1, 1995. Its surrealistic humor is often based on uncomfortable social situations, improbable events, an anthropomorphic view of the world, logical fallacies, impending bizarre disasters, or the search for meaning in life. Larson’s frequent use of animals and nature in the comic is popularly attributed to his background in biology. Reruns are still printed in many newspapers.
The Far Side was carried by more than 1,900 daily newspapers, translated into 17 languages, and collected into calendars and 22 compilation books.[1]
The series was preceded by a similar panel called Nature’s Way, also by Larson.

Experience with Drawing

Hola,

A day late and a dollar short, but here I am.  Hopefully everyone enjoyed Free Comic Book Day yesterday, and maybe a couple of you took the time to realize Black Snow has been giving you Free Comic Book day about 7 years now!

So I saw X-Men Origins: Wolverine.  Here’s my take on it, the movie didn’t completely suck like all the reviews say. It wasn’t anything great, but it wasn’t total crap.  There was probably too much really fake, over the top, overly long action sequences, but at least they were fun to watch.  It suffered from the same problem as the previous X-Men films: too many damn characters!  There is really no time for character development when you are attempting to cram as many of them as possible in a single movie.  The result is I can hardly remember which characters have appeared in these movies and find them to be almost totally forgettable.  Oh, and there’s three secret bonus scenes, so you don’t know which one you’ll get when you go see the movie.  They are all super short, and two of them suck, so just watch them on YouTube rather than waiting through the inflated credits.  And don’t get all excited about Deapool, because he sucks in this and is not true to the comic.  Who’s excited for the Magneto movie?  No one.

Alex brought up a good point about the X-Men.  Obviously Marvel wanted to do something dealing with social commentary without actually being brave enough to have it star actual minorities, so they used “mutants.”  I’m sure black people find laser beam eyes very relatable.  So these mutants are supposed to exist in the same world as non-mutant super heroes, as they’ve shown through their many crossovers.  So why is society focused only on people born with mutated genes rather than including anyone with powers in that category?  What makes Spider-Man different?  He mutated later in life.  So why wouldn’t all of the mutants just lie and say they weren’t born that way?  The Marvel “universe” is a joke, that’s why.

On to today’s topic.  I’ve literally been drawing longer than I could form memories.  Recently I found a couple boxes full of these old drawings.  They were mostly of monsters, haunted houses and some of my toys having adventures.  I was very focused on the macabre as a child.  I read a lot of horror stories and liked shows with dark supernatural elements.  This is still somewhat true.  I also loved cartoons and dreamed of becoming a cartoonist.  This is also still true, and one of my eventual goals.
I grew up watching a lot of Nickelodeon cartoons like Rocko’s Modern Life, Doug, Ren and Stimpy, Rugrats and reruns of Looney Tunes.  I used to draw these characters a lot.  I didn’t trace them, but rather I got really good at looking at a drawing and recreating it.  I also drew the video game characters Super Mario and Earthworm Jim frequently. Sometimes I would also attempt to come up with my own original characters, and you could see the influences of all these cartoons and video games.  An old animated film called The Wizards also had a pretty lasting impact on my work.
I’ve mentioned before that I didn’t grow up reading comic books; I did however read comic strips.  My two favorites were Gary Larson’s Far Side and Bill Watterson’s Calvin and Hobbes.  Far Side is the funniest and strangest comic strip I’ve ever read, while Calvin and Hobbes is very imaginative and spectacularly drawn.  Unfortunately both men retired many years ago, and I haven’t seen any of their work since they ended these strips.  Watterson’s work in particular stills stands out to met, as he pushed the boundaries of the traditional comic strip.  He did this be changing up the format and putting incredible amounts of detail into his work.  His backgrounds and landscapes are more beautiful than most “high art” I’ve seen.  He also does amazing character work, with some fantastic poses and great emotions.  I still look to his work for inspiration and try to emulate his style.  I wish I could draw like that!

(Sorry, I was asked by Mr. Larson’s representative’s to remove these images.)

Calvin and Hobbes

This Calvin and Hobbes features Calvin's alter eago Spaceman Spiff.

Yes, I also have aspirations of drawing a comic strip some day.  So as you may have noticed I like humorous, cartoon art.  You’ve probably found some of this in Black Snow.  You’ve probably also noticed a darker side.  Well, all these things I’ve mentioned that inspired me do contain dark elements mixed within them, and that’s always been the way I’ve liked it.  A healthy mixture of the two.  Too much of either can be a bad thing.  I will note this, as I approached my teenage years my drawings took a decidedly darker turn.  I drew original art that featured homeless bums, dilapidated buildings, frustrated business men, lazy out of shape slobs, people contemplating suicide and similar such themes.  For some reason I thought these things weren’t seen enough by society, so art should bring them to light. Also, I was your typical melodramatic teenager who thought life sucked.

I’ve had very little in the way of formal training.  I took two drawing classes in high school and one in community college.  I did not find these to be very useful.  I think I got more out of my art history classes than I took from these art practice classes.  I think it’s essential to be self taught when it comes to art, as it’s something you have to explore and experiment with.  So I continue to learn and experiment to this day, always striving to improve.

Hopefully you enjoyed that.  Check back again soon when I plan to discuss my thoughts on the long standing controversy as to who is the actual creator of a comic book.  Artist vs. Writer, coming soon!  I’m gunning for you Stan Lee!